BULL | The Inheritance CRACK THE SPINE | Jars
named best-of crack the spine! ELLIPSIS ZINE | Speed of Light EUNOIA REVIEW | When We Talk About The Weather HOBART | A Meeting of the Society of Adult Men Who Have Lost Their Fathers LITERALLY STORIES | The Potato Grabbers (mac)ro(mic) | A Christmas Story MOONPARK REVIEW | Three Smokin’ Micros NECESSARY FICTION | The American Family Johnson Throws a Birthday NEW FLASH FICTION REVIEW | From the American Medical Association Keynote, 2050 Annual ConferencePEREGRINE | Morning, September 4, 2016REEDSY | The Pumpkin Spice Latte Just Got Real SOFT CARTEL | The Peppermint Fox
named best-of Soft Cartel! X-R-A-Y | The Coat
Selected Short Fiction
ALIENSKIN MAGAZINE | Ronald Waits BARTLEBY SNOPES | Joe’s Perfect Machine
named best-of bartleby snopes! BLACK LANTERN | A MetamorphosisCAMROC PRESS REVIEW | The Freeing of the WardensDOGZPLOT | Love and Computers
named best-of dogzplot! DOGZPLOT | Love and Laundry and Outer Space
#1 on what to wear during an orange alert watch list!FICTION365 | Anatomy of Two Artists FICTION365 | No Personal Checks, PleaseFULL OF CROW | Two MenA LONG STORY SHORT | Go Home, Son, Your War Is Over A LONG STORY SHORT | Love Without TaxMONKEYBICYCLE | One Sentence Concerning AntsNEGATIVE SUCK | Love and GamblingPOETICDIVERSITY: LITZINE OF LA | The Life and Times of PatriciaPOETICDIVERSITY: LITZINE OF LA | Lionel Updates His Resume POETICDIVERSITY: LITZINE OF LA | Love in the Time of GravityPOETICDIVERSITY: LITZINE OF LA | Story of a GenerationTHE SHORT HUMOUR SITE | Pillow Talk THICKJAM | Reanimation THE24PROJECT | The Patch Up THRILLERS KILLERS N CHILLERS | The Alley WEIRDYEAR | Three Stories: Love and Prostitutes; Love and Ice Cream; AdirondackingWRITERS BLOC | Upon the Request of a Newly Made Friend, Sherman Attempts to Explain Himself THE WRITING DISORDER | The Top Hat Bandits and the Colonel Mustard Conspiracy
Selected Non-fiction
The Buzz
Robert John Miller’s work investigates the ways in which systems of power contort, and the coping mechanisms employed to evade the psychological emptiness that results from disfigurement. His grotesques often exhibit an exuberance for life but also a dread, unable or unwilling to understand the structures that confine them.